Bona park
-
Biography
Bona Park
Bona Park engages in works that critically examine the social system by overlapping the ways images are created in art, the stories and labor of those who create them, and the functioning of the economy and history outside of art. The artist creates awkward and uncomfortable situations that often blur the boundaries between art and everyday life through various mediums such as performance, video, and installation. Bona Park graduated with a degree in English Language and Literature and Journalism and Broadcasting from Sogang University in 2000, and completed a degree in Sculptural Arts at Korea National University of Arts in 2004. She earned an MFA in Art Practice from Goldsmiths College in London in 2008. She currently resides and works in Seoul.
Major Works
La boîte – en – sac plastique (The Box in a Plastic Bag)
The work "La boîte – en – sac plastique" is a performance parodying the title of Marcel Duchamp's "La boîte-en-valise (The Box in a Suitcase)". It investigates the dinner habits and related memories and symbols of the participants, who are then asked to carry a shopping bag during the opening event. This performance, presented successively at exhibitions such as "Out of Line" (Space Hamilton, Seoul, 2010), "The Ungovernables" (New Museum Triennial, New York, USA, 2012), and "Museum for All, Museum for Dogs" (National Museum of Modern and Contemporary Art, Seoul, 2020), started with the participating artists and curators and later expanded to include all those involved in creating the exhibition, such as artists, carpenters, designers, ticket sellers, security guards, coordinators, and exhibition workers. The grocery bags filled with evening market purchases raise questions about what constitutes art, who are the people carrying the bags, what labor structures exist within the art institution, and the personal stories behind each bag.
Kotakina Blue
"Kotakina Blue" (Sindoh Company's Cultural Space, Seoul, 2015) suggests through incorrect signs the situation where images inadequately reproduce reality and proliferate endlessly. "Kotakina Blue 1" (2015) is a 10-channel video work featuring Changho LEE, a foley artist, using various objects to create sounds of nature that one might hear in a resort. The sounds of paths, rivers, beaches, waves, water, wind, rain, and footsteps contrast with the labor of the foley artist in the video and the office work at Sindoh's headquarters, prompting reflection on the image, art, and the institutions and labor behind it.
Paradise City
"Paradise City" is a work produced for the Anyang Public Art Project APAP in 2016, featuring a four-channel video of four citizens of Anyang playing "Paradise City" by Guns N' Roses against the backdrop of representative public places in Anyang. Bona Park's work continuously questions the boundaries between art, life, labor, and place, vibrating in between.
Awards and Selections
Bona Park has participated in residency programs including Artist Residency (Cittadellarte- Fondazione Pistoletto, UNESCO-Aschberg Grant, Biella, Italy, 2009), Nanji Art Studio (Seoul, 2016), and as the Michelangelo Pistoletto Band in collaboration with Eunji Jo, was supported by the Art Space Geumcheon(Seoul, 2012). She has been selected for New Face Artist 2006 (Art in Culture, Seoul, Korea, 2006), SINDOH Artist Sponsorship Program 3rd SINAP (Seoul, 2013), Performance as process (Delfina Foundation, London, UK, 2015), 15th SongEun Art Award (SongEun Art and Cultural Foundation, Seoul, 2015), and as a supported artist for Space Beam (Incheon, 2011) among others.
Exhibitions
Her major solo exhibitions include "Black Hole Has No Hair" (Gallery Chosun, Seoul, 2019), "Re-enactments" (Cartel Space, Bangkok, Thailand, 2019), "Kotakina Blue" (Sindoh Company's Cultural Space, Seoul, 2015), "Friends" (Gallery Chosun, Seoul, 2013), "X Reverse" (Pingpong Art Space, Taipei, Taiwan, 2011), and "X2" (The Room, Total Museum of Contemporary Art, Seoul, 2009). Her major group exhibitions include "Exhibition Deliveryman" (National Museum of Modern and Contemporary Art, Cheongju, 2022), "The Season of Meeting Myself" (Daegu Art Museum, Daegu, 2022), "Past, Present, Future" (SongEun Art Space, Seoul, 2022), and others. In collaboration with Eunji Jo, as the Michelangelo Pistoletto Band, they have carried out projects such as the "APAP Anyang Public Art Project" (Anyang, 2013), "Gold Friday Performance Relay" (Seoul Art Space Seogyo, Seoul, 2012), and others.
Publication
Following the art essay collections "When Attitude Becomes the Work" (2019) and "If You Call Even the Nameless" (2021), she published "The Moment Art Becomes Mine" (2023).
-
Exhibitions
-
Whistlers
박보나 2 Aug - 22 Sep 2024갤러리조선은 2024년 8월 2일부터 9월 22일까지 박보나의 개인전 《휘슬러스 Whistlers》를 개최한다. 예술과 삶, 노동 사이의 경계에서 작업하는 박보나는 《휘슬러스 Whistlers》를 통해 여성의 우정에 대해 이야기한다. 그것은 남성적 우정의 한 형태인...Read more -
As the Sharp Narrative Fades, A Revealing Map Emerges (Part1)
명료한 서술을 지우니 또다른 지도가 드러났다. (Part 1) 28 Feb - 6 Apr 2024 -
BLACK HOLES HAVE NO HAIR
박보나 8 - 27 Oct 2019 -
Friends
박보나 3 - 24 Jul 2013
-
-
external exhibition
-
봉지 속 상자 (La boîte - en - sac plastique) 2012 2012 The 2012 New Museum Triennial, 'The Ungovernables', New Museum, New York, USA
-
당신이 믿고 있는 것을 말해드립니다 1, 2014
-
-
2015 코타키나 블루 , 신도리코 본사 문화 공간 , 서울 , 한국
-
2016 APAP 5 제 5 회 안양공공예술 프로젝트 , 안양 , 한국
-
2018 성좌의 변증법 : 소멸과 댄스 플로어 , 플랫폼엘 , 서울 , 한국
-
카트 버전 / 서울 버전 , 2020 (2020 모두를 위한 미술관 , 개를 위한 미술관 , 국립현대미술관 , 서울 , 한국
-
2021 세마 러닝 스테이션 : 전환 , 서울시립미술관 , 서울 , 한국
-
-
publication
-
태도가 작품이 될 때 : When Attitudes Bocome Artwork
박보나『태도가 작품이 될 때』는 박보나 미술가의 첫 예술 에세이로, 예술가들이 세상과 예술을 바라보는 태도를 다룹니다. 박보나는 다양한 매체를 활용해 전시와 예술 작품에 대한 전통적인 개념에서 벗어난 퍼포머티브한 작업을 선보입니다. 이... -
이름 없는 것도 부른다면 : Wen We Call Every Single Being
박보나박보나 작가의 두 번째 미술 에세이 『이름 없는 것도 부른다면』은, '생명'을 중심 주제로 삼아 새로운 미술의 세계를 탐구합니다. 현대 미술작품을 이해하기 어렵다는 일반적인 인식에 도전하며, 작가의 창조성과 상상력을 통해 미술을... -
예술이 내 것이 되는 순간 : The Moment Art Becomes Mine
박보나『예술이 내 것이 되는 순간』은 박보나의 신작 산문으로, 일상과 예술의 경계를 자유롭게 넘나들며 창작의 영감을 탐구합니다. 박보나는 다양한 매체를 통해 창의적인 작업을 선보이며, 일상에서 미술적 영감을 찾는 과정을 담았습니다. 이...
-